Armenia old photos
Armenia
Marmashen Monastery. Marmashen Monastery. Built in the X—XIII centuries., 1880
"Dilijan" sanatorium. Sanatorium "Dilijan", 1978-1979
Mother Cathedral of Etchmiadzin: Cathedral, 4th century, 1980-1981
Odzun Monastery. Odzun Temple, 6th century, 1980-1981
Monument in honor of the friendship of Armenia and Russia. Monument in honor of the 150th anniversary of the reunification of Armenia with Russia, 1979-1980
Ծիծեռնակաբերդ. Monument in memory of Armenians - victims of the genocide of 1915, 1979-1980
History Museum of Armenia. Museum of History of Armenia, 1978-1979
Now - The National Museum of History of Armenia
Now - The National Museum of History of Armenia
Հառիճավանք. Monastery of Arichavank, 7th-8th century, 1980-1981
Arich, a village dating back to the 7th-8th centuries, is home to the Arichavank monastery complex. While the oldest structure dates to the 7th century, the majority of the complex was constructed in the 13th century.
Arich, a village dating back to the 7th-8th centuries, is home to the Arichavank monastery complex. While the oldest structure dates to the 7th century, the majority of the complex was constructed in the 13th century.
Dadal Bridge over the Arpa River. Dadal Bridge of the XIII century over the Arpa River, 1978-1979
Voghji Gorge. Bear Monument, 1979-1980
The bear and key statue symbolizes the people and fertile land of Zangezur.
The bear and key statue symbolizes the people and fertile land of Zangezur.
Bridge over the Vokhchi River. Bridge over the Vokhchi River, 1979-1980
Haghpat: Haghpat Monastery, 1980-1981
"Jermuk" sanatorium ("Ararat Spa"). Sanatorium "Jermuk", 1980-1981
Tanaat: St. Stepanos main monastery church. Tanaat Monastery, 1980-1981
Tanaat is a 13th-century Armenian monastery located in the Vayots Dzor region on a picturesque mountain range. The route to the monastery is winding and features steep elevation changes. The complex consists of two churches, a cemetery, and the ruins of the ancient Gladzor University. Built from dark blue basalt, it is often called the "Black Monastery." The main church, Surb Stepanos, was constructed in 1279.
Tanaat is a 13th-century Armenian monastery located in the Vayots Dzor region on a picturesque mountain range. The route to the monastery is winding and features steep elevation changes. The complex consists of two churches, a cemetery, and the ruins of the ancient Gladzor University. Built from dark blue basalt, it is often called the "Black Monastery." The main church, Surb Stepanos, was constructed in 1279.
Kiev Street: Kievskaya Street, 1973
April 1973
April 1973
Where is this? Armenia?, 1977
Sevanavank. Sevanavank Monastery. Khachkars, 1977
Sevanavank Monastery is located 6 km east of Sevan, on a peninsula that was once an island separated by a 3 km strait. Founded in the late 8th century by a small group of monks, the monastery expanded due to its strategic location. Construction included protective walls built on a carved ledge, a watchtower, three churches, monks' cells, and outbuildings. Two churches, Surb Arakelots and Surb Astvatsatsin (871-874), survive. These small cross-domed churches feature three apses. Surb Astvatsatsin is notable for its finely dressed stonework. Carved wooden doors (1176 and 1486) from Surb Arakelots and carved capitals from its ruined gavit are preserved in the Yerevan History Museum. A significant historical event occurred in the late 9th century when King Ashot the Iron used the monastery as a base during his victory over Arab forces, aided by the monks. The monastery's walls were destroyed in the 16th-17th centuries, and it was abandoned in 1930. Today, the monastery is active again and houses the Vazgen I Theological Seminary.
Sevanavank Monastery is located 6 km east of Sevan, on a peninsula that was once an island separated by a 3 km strait. Founded in the late 8th century by a small group of monks, the monastery expanded due to its strategic location. Construction included protective walls built on a carved ledge, a watchtower, three churches, monks' cells, and outbuildings. Two churches, Surb Arakelots and Surb Astvatsatsin (871-874), survive. These small cross-domed churches feature three apses. Surb Astvatsatsin is notable for its finely dressed stonework. Carved wooden doors (1176 and 1486) from Surb Arakelots and carved capitals from its ruined gavit are preserved in the Yerevan History Museum. A significant historical event occurred in the late 9th century when King Ashot the Iron used the monastery as a base during his victory over Arab forces, aided by the monks. The monastery's walls were destroyed in the 16th-17th centuries, and it was abandoned in 1930. Today, the monastery is active again and houses the Vazgen I Theological Seminary.
Where is this? Yerevan?, 1977
Yerevan. Period. Is there a problem with the photo - has it been rejected? (seakonst) Image ID: 282840
Yerevan. Period. Is there a problem with the photo - has it been rejected? (seakonst) Image ID: 282840
Zvartnots: Zvartnots Temple (Temple of the Vigilant Forces), 1977
Zvartnots (the Temple of the Vigilant Powers, the Temple of the Heavenly Angels) is an early medieval Armenian church near Yerevan and Vagharshapat (Ejmiatsin). Built during the reign of Catholicos Nerses III the Builder (641/642-661/662), who planned to move his seat from Dvin to Vagharshapat, according to the Armenian historian Sebeos. Nerses III is also credited with constructions in Dvin and Khor Virap, and a church similar to Zvartnots in his native village of Ishkhan in Tayk. Byzantine Emperor Constans II attended the consecration and wished to build a replica in Constantinople. The temple collapsed in the 10th century due to weak supports in the second tier during an earthquake. Zvartnots' influence is evident in monuments from the second half of the 7th century (temples in Aruj, Zoravor, Talin, and Egvard; the churches of the Savior and the Shepherd in Ani, 10th-11th centuries; churches in the monasteries of Htskonk and Marmashen). The temples in Bana and Gagikashen in Ani are copies of Zvartnots. Excavations between 1901 and 1907 unearthed Zvartnots' ruins. The first tier has been almost entirely reconstructed. According to Toramanian's reconstruction, the temple was a three-tiered circular domed structure (diameter of the lower tier 35.75 m). A cross is inscribed within the circular base; three arms are formed by semicircles of six columns each, while the eastern arm—the apse—was a solid wall covered with mosaics and frescoes. A high elevation stood by the altar apse, with an ambo on one side and a baptismal font in front. A square room, likely a sacristy, adjoined the apse from behind, with stairs leading to a corridor running along the top of the first tier. The temple's facades were decorated with arcading, carvings, and relief slabs with ornaments and bunches of pomegranates and grapes. The columns are topped with massive capitals depicting crosses, eagles, and the temple's donors. The ruins of the patriarchal palace, Nerses III's living qua
Zvartnots (the Temple of the Vigilant Powers, the Temple of the Heavenly Angels) is an early medieval Armenian church near Yerevan and Vagharshapat (Ejmiatsin). Built during the reign of Catholicos Nerses III the Builder (641/642-661/662), who planned to move his seat from Dvin to Vagharshapat, according to the Armenian historian Sebeos. Nerses III is also credited with constructions in Dvin and Khor Virap, and a church similar to Zvartnots in his native village of Ishkhan in Tayk. Byzantine Emperor Constans II attended the consecration and wished to build a replica in Constantinople. The temple collapsed in the 10th century due to weak supports in the second tier during an earthquake. Zvartnots' influence is evident in monuments from the second half of the 7th century (temples in Aruj, Zoravor, Talin, and Egvard; the churches of the Savior and the Shepherd in Ani, 10th-11th centuries; churches in the monasteries of Htskonk and Marmashen). The temples in Bana and Gagikashen in Ani are copies of Zvartnots. Excavations between 1901 and 1907 unearthed Zvartnots' ruins. The first tier has been almost entirely reconstructed. According to Toramanian's reconstruction, the temple was a three-tiered circular domed structure (diameter of the lower tier 35.75 m). A cross is inscribed within the circular base; three arms are formed by semicircles of six columns each, while the eastern arm—the apse—was a solid wall covered with mosaics and frescoes. A high elevation stood by the altar apse, with an ambo on one side and a baptismal font in front. A square room, likely a sacristy, adjoined the apse from behind, with stairs leading to a corridor running along the top of the first tier. The temple's facades were decorated with arcading, carvings, and relief slabs with ornaments and bunches of pomegranates and grapes. The columns are topped with massive capitals depicting crosses, eagles, and the temple's donors. The ruins of the patriarchal palace, Nerses III's living qua
Mother Cathedral of Etchmiadzin. Etchmiadzin Monastery, 1977
The Echmiadzin Monastery, located in Vagharshapat, Armenia, comprises the Echmiadzin Cathedral, Saint Hripsime Church, Saint Gayane Church, Saint Shoghakat Church, a refectory, the Catholicos' residence, a school, a guesthouse, a stone-lined pond, and other structures. Two ancient khachkars from the 13th and 17th centuries, adorned with intricate ornamentation, also stand on the grounds. Originally built in 303 AD, the Echmiadzin Cathedral was reconstructed in stone during the 5th and 7th centuries. A bell tower was added in the 17th century and a vestry in 1869. Frescoes from the turn of the 18th century adorn the cathedral, which also houses a museum established in 1955, showcasing medieval decorative arts. Saint Hripsime, Saint Gayane, and Saint Shoghakat Churches are said to honor early Christian martyrs. The magnificent Saint Hripsime Church was erected in 618 AD. Saint Gayane Church, built in 630 AD, had a three-arched annex added in 1683. Saint Shoghakat Church, built in 1694, replaced a 4th-century chapel.
The Echmiadzin Monastery, located in Vagharshapat, Armenia, comprises the Echmiadzin Cathedral, Saint Hripsime Church, Saint Gayane Church, Saint Shoghakat Church, a refectory, the Catholicos' residence, a school, a guesthouse, a stone-lined pond, and other structures. Two ancient khachkars from the 13th and 17th centuries, adorned with intricate ornamentation, also stand on the grounds. Originally built in 303 AD, the Echmiadzin Cathedral was reconstructed in stone during the 5th and 7th centuries. A bell tower was added in the 17th century and a vestry in 1869. Frescoes from the turn of the 18th century adorn the cathedral, which also houses a museum established in 1955, showcasing medieval decorative arts. Saint Hripsime, Saint Gayane, and Saint Shoghakat Churches are said to honor early Christian martyrs. The magnificent Saint Hripsime Church was erected in 618 AD. Saint Gayane Church, built in 630 AD, had a three-arched annex added in 1683. Saint Shoghakat Church, built in 1694, replaced a 4th-century chapel.
Sevanavank Monastery Church of the Virgin Mary. Grave of Captain Yervand Gasparyan, 1977
Sevanavank Monastery is located 6 km east of Sevan, on the Sevan peninsula, formerly a small island separated from the mainland by a 3 km strait. Founded in the late 8th century by a few monks, the monastery grew due to its strategic island location. Construction began with fortifying walls built on a rock ledge encircling the island, topped by a watchtower and small gate. Three churches, monastic cells, and outbuildings followed. The Surb Arakelots and Surb Astvatsatsin churches (871-874), small three-apse cross-domed structures, survive today. Astvatsatsin is notable for its precisely cut and fitted stonework. Carved wooden doors (1176 and 1486) from Arakelots and its ruined gavit's carved capitals are preserved in Yerevan's History Museum. A notable event in the monastery's history is King Ashot the Iron's stay in the late 9th century. He and the monks battled Arab forces on the shores of Lake Sevan, achieving a decisive victory. The monastery lost its walls in the 16th-17th centuries. Abandoned in 1930, Sevanavank was revived and now houses the Vazgen I Theological Seminary below the churches.
Sevanavank Monastery is located 6 km east of Sevan, on the Sevan peninsula, formerly a small island separated from the mainland by a 3 km strait. Founded in the late 8th century by a few monks, the monastery grew due to its strategic island location. Construction began with fortifying walls built on a rock ledge encircling the island, topped by a watchtower and small gate. Three churches, monastic cells, and outbuildings followed. The Surb Arakelots and Surb Astvatsatsin churches (871-874), small three-apse cross-domed structures, survive today. Astvatsatsin is notable for its precisely cut and fitted stonework. Carved wooden doors (1176 and 1486) from Arakelots and its ruined gavit's carved capitals are preserved in Yerevan's History Museum. A notable event in the monastery's history is King Ashot the Iron's stay in the late 9th century. He and the monks battled Arab forces on the shores of Lake Sevan, achieving a decisive victory. The monastery lost its walls in the 16th-17th centuries. Abandoned in 1930, Sevanavank was revived and now houses the Vazgen I Theological Seminary below the churches.
Sevanavank: Sevanavank Monastery, 1977
Sevanavank Monastery is situated on Sevan Peninsula, 6 km east of the city of Sevan. Before the lake level dropped, the peninsula was a small island separated from the mainland by a 3 km strait. In the late 8th century, monks settled on the island, building a chapel and cells. The island's advantageous location attracted more monks, leading to the monastery's construction. Walls were erected first, by carving a ledge in the rock around the island and laying large stone blocks upon it. A watchtower with a small gate was built atop the wall, which encircled the island. Three churches, cells, and outbuildings were subsequently constructed. The Churches of Surb Arakelots and Surb Astvatsatsin (871-874) still stand today. These small, three-apsed, cross-domed churches are notable for their masonry, particularly Astvatsatsin's precisely cut and fitted stones. Arakelots' carved wooden doors (1176 and 1486) and carved capitals from its ruined gavit are preserved in the History Museum of Armenia in Yerevan. The monastery's history is relatively uneventful. Most notably, in the late 9th century, the Armenian King Ashot the Iron resided there briefly, battling Arab forces on the shores of Lake Sevan. The monks joined the king's small army in the battle, resulting in a decisive victory attributed to Providence by the monks and to Ashot's valor by the king. The monastery's walls were lost in the 16th-17th centuries. In 1930, the last monk departed, and the monastery was abandoned for a considerable period. Today, the monastery is active again and houses the Vazgen I Theological Seminary located below the churches.
Sevanavank Monastery is situated on Sevan Peninsula, 6 km east of the city of Sevan. Before the lake level dropped, the peninsula was a small island separated from the mainland by a 3 km strait. In the late 8th century, monks settled on the island, building a chapel and cells. The island's advantageous location attracted more monks, leading to the monastery's construction. Walls were erected first, by carving a ledge in the rock around the island and laying large stone blocks upon it. A watchtower with a small gate was built atop the wall, which encircled the island. Three churches, cells, and outbuildings were subsequently constructed. The Churches of Surb Arakelots and Surb Astvatsatsin (871-874) still stand today. These small, three-apsed, cross-domed churches are notable for their masonry, particularly Astvatsatsin's precisely cut and fitted stones. Arakelots' carved wooden doors (1176 and 1486) and carved capitals from its ruined gavit are preserved in the History Museum of Armenia in Yerevan. The monastery's history is relatively uneventful. Most notably, in the late 9th century, the Armenian King Ashot the Iron resided there briefly, battling Arab forces on the shores of Lake Sevan. The monks joined the king's small army in the battle, resulting in a decisive victory attributed to Providence by the monks and to Ashot's valor by the king. The monastery's walls were lost in the 16th-17th centuries. In 1930, the last monk departed, and the monastery was abandoned for a considerable period. Today, the monastery is active again and houses the Vazgen I Theological Seminary located below the churches.
Sevanavank: Sevanavank Monastery, 1977
The Sevanavank Monastery is situated on Sevan Peninsula, 6 km east of the city of Sevan. Prior to the lake shrinking, the peninsula was an island separated from the mainland by a 3 km strait. In the late 8th century, monks settled on the island, building a chapel and cells. The island's advantageous location attracted more monks, leading to the monastery's expansion. Construction began with fortifying walls; a ledge was carved into the rock around the island and large stone blocks were laid upon it. The wall encircled the island and a watchtower with a small gate was built above it. Three churches, cells, and outbuildings were subsequently constructed. The Churches of Surb Arakelots and Surb Astvatsatsin (871-874) survive to this day. They are small, three-apsed, cruciform-domed churches. Surb Astvatsatsin is distinguished by its masonry of precisely hewn and well-fitted stones. The carved wooden doors (1176 and 1486) of Surb Arakelots and the carved capitals of its ruined gavit are preserved in the History Museum of Armenia in Yerevan. The monastery's history is relatively uneventful. A notable event occurred in the late 9th century when King Ashot the Iron resided there briefly. He battled Arab forces on the shores of Lake Sevan, aided by the monastery's monks. The Armenian forces, though small, achieved a decisive victory, attributed to divine intervention by the monks and to Ashot's valor. The monastery's walls were lost in the 16th-17th centuries. In 1930, the last monk departed, and the monastery was abandoned for a significant period. Currently, the monastery is active again and houses the Vazgen I Theological Seminary, located below the churches.
The Sevanavank Monastery is situated on Sevan Peninsula, 6 km east of the city of Sevan. Prior to the lake shrinking, the peninsula was an island separated from the mainland by a 3 km strait. In the late 8th century, monks settled on the island, building a chapel and cells. The island's advantageous location attracted more monks, leading to the monastery's expansion. Construction began with fortifying walls; a ledge was carved into the rock around the island and large stone blocks were laid upon it. The wall encircled the island and a watchtower with a small gate was built above it. Three churches, cells, and outbuildings were subsequently constructed. The Churches of Surb Arakelots and Surb Astvatsatsin (871-874) survive to this day. They are small, three-apsed, cruciform-domed churches. Surb Astvatsatsin is distinguished by its masonry of precisely hewn and well-fitted stones. The carved wooden doors (1176 and 1486) of Surb Arakelots and the carved capitals of its ruined gavit are preserved in the History Museum of Armenia in Yerevan. The monastery's history is relatively uneventful. A notable event occurred in the late 9th century when King Ashot the Iron resided there briefly. He battled Arab forces on the shores of Lake Sevan, aided by the monastery's monks. The Armenian forces, though small, achieved a decisive victory, attributed to divine intervention by the monks and to Ashot's valor. The monastery's walls were lost in the 16th-17th centuries. In 1930, the last monk departed, and the monastery was abandoned for a significant period. Currently, the monastery is active again and houses the Vazgen I Theological Seminary, located below the churches.
Memorial to the victims of the 1915 Genocide. Memorial to the victims of the 1915 Genocide., 1977
Monumental sculptures play a significant role in the architectural design of Yerevan's streets, squares, and parks. Memorials commemorate the victory over Nazi Germany, the 50th anniversary of the October Revolution, the victims of the 1915 genocide, and Mesrop Mashtots, the creator of the Armenian alphabet, among others. The Armenian Genocide Memorial Complex is situated on Tsitsernakaberd Hill. A park established on the hill in 1950 has become one of the capital's largest green spaces. The complex features twelve pylons arranged in a circle, slightly inclined towards the center, which encloses an eternal flame. A basalt wall nearby is intended for bas-reliefs depicting the events of the genocide. A 40-meter, split-stele obelisk stands adjacent. The music of Komitas and Yekmalyan played within the memorial enhances the experience.
Monumental sculptures play a significant role in the architectural design of Yerevan's streets, squares, and parks. Memorials commemorate the victory over Nazi Germany, the 50th anniversary of the October Revolution, the victims of the 1915 genocide, and Mesrop Mashtots, the creator of the Armenian alphabet, among others. The Armenian Genocide Memorial Complex is situated on Tsitsernakaberd Hill. A park established on the hill in 1950 has become one of the capital's largest green spaces. The complex features twelve pylons arranged in a circle, slightly inclined towards the center, which encloses an eternal flame. A basalt wall nearby is intended for bas-reliefs depicting the events of the genocide. A 40-meter, split-stele obelisk stands adjacent. The music of Komitas and Yekmalyan played within the memorial enhances the experience.
Mother Armenia. Mother Armenia (monument), 1977
Mother Armenia (Armenian: Մայր-Հայաստան) is a 54-meter-high monument in Yerevan, Armenia, commemorating the Soviet Union's victory in World War II. The 22-meter-tall statue stands atop a granite pedestal, adorned with Armenian ornamentation, in Victory Park overlooking the city. Originally a statue of Stalin by Sergey Merkurov stood on the pedestal (built in 1950 by architect Rafael Israelyan), but it was removed in 1962. The current statue, a hammered copper work by Ara Harutyunyan (1967), depicts a woman sheathing a sword, symbolizing the strength and grandeur of the motherland. A shield lies at her feet. The sculpture is characterized by stylized hands and austere clothing. A Ministry of Defense museum housed in the base of the monument displays artifacts from World War II and the Karabakh wars, including personal belongings, weapons, documents, and portraits. Military equipment from the era surrounds the pedestal. An eternal flame burns at the Tomb of the Unknown Soldier in the square before the monument.
Mother Armenia (Armenian: Մայր-Հայաստան) is a 54-meter-high monument in Yerevan, Armenia, commemorating the Soviet Union's victory in World War II. The 22-meter-tall statue stands atop a granite pedestal, adorned with Armenian ornamentation, in Victory Park overlooking the city. Originally a statue of Stalin by Sergey Merkurov stood on the pedestal (built in 1950 by architect Rafael Israelyan), but it was removed in 1962. The current statue, a hammered copper work by Ara Harutyunyan (1967), depicts a woman sheathing a sword, symbolizing the strength and grandeur of the motherland. A shield lies at her feet. The sculpture is characterized by stylized hands and austere clothing. A Ministry of Defense museum housed in the base of the monument displays artifacts from World War II and the Karabakh wars, including personal belongings, weapons, documents, and portraits. Military equipment from the era surrounds the pedestal. An eternal flame burns at the Tomb of the Unknown Soldier in the square before the monument.
Mother Cathedral of Etchmiadzin. Etchmiadzin Monastery, 1977
The Echmiadzin Monastery, located in Vagharshapat, Armenia, comprises the Echmiadzin Cathedral, Saint Hripsime Church, Saint Gayane Church, Shoghakat Church, a refectory, the Catholicos' residence, a school, a guesthouse, a stone-lined reservoir, and other structures. Two ancient intricately carved khachkars from the 13th and 17th centuries also stand on the grounds. Originally built in 303 AD by Saint Gregory the Illuminator, Echmiadzin Cathedral was reconstructed in stone during the 5th and 7th centuries. A bell tower was added in the 17th century and a vestry in 1869. The cathedral features frescoes from the turn of the 18th century and houses a museum, established in 1955, showcasing medieval decorative art. Saint Hripsime, Saint Gayane, and Shoghakat Churches are said to commemorate early Christian martyrs. The majestic Saint Hripsime Church was erected in 618 AD. Saint Gayane Church, built in 630 AD, had a three-arched annex added in 1683. Shoghakat Church, built in 1694, replaced a 4th-century chapel.
The Echmiadzin Monastery, located in Vagharshapat, Armenia, comprises the Echmiadzin Cathedral, Saint Hripsime Church, Saint Gayane Church, Shoghakat Church, a refectory, the Catholicos' residence, a school, a guesthouse, a stone-lined reservoir, and other structures. Two ancient intricately carved khachkars from the 13th and 17th centuries also stand on the grounds. Originally built in 303 AD by Saint Gregory the Illuminator, Echmiadzin Cathedral was reconstructed in stone during the 5th and 7th centuries. A bell tower was added in the 17th century and a vestry in 1869. The cathedral features frescoes from the turn of the 18th century and houses a museum, established in 1955, showcasing medieval decorative art. Saint Hripsime, Saint Gayane, and Shoghakat Churches are said to commemorate early Christian martyrs. The majestic Saint Hripsime Church was erected in 618 AD. Saint Gayane Church, built in 630 AD, had a three-arched annex added in 1683. Shoghakat Church, built in 1694, replaced a 4th-century chapel.
"Armenia" Hotel. Hotel "Armenia", 1977
Option for 282852
Option for 282852
Mother Cathedral of Etchmiadzin. Etchmiadzin Monastery, 1981-1982
The Etchmiadzin Monastery, located in Vagharshapat, Armenia, comprises the Etchmiadzin Cathedral, Saint Hripsime Church, Saint Gayane Church, Saint Shoghakat Church, a refectory, the Catholicos' residence, a school, guesthouse, a stone-lined pond, and other structures. Two ancient intricately carved khachkars from the 13th and 17th centuries also stand on the grounds. Originally built in 303 AD by Saint Gregory the Illuminator, the Etchmiadzin Cathedral was rebuilt in stone during the 5th and 7th centuries. A bell tower was added in the 17th century, and a vestry in 1869. Inside are frescoes from the turn of the 18th century and a museum, established in 1955, showcasing medieval decorative arts. Saint Hripsime, Saint Gayane, and Saint Shoghakat Churches are said to honor early Christian martyrs. The magnificent Saint Hripsime Church was erected in 618. Saint Gayane Church, built in 630, had a three-arched annex added in 1683. Saint Shoghakat Church, built in 1694, replaced a 4th-century chapel.
The Etchmiadzin Monastery, located in Vagharshapat, Armenia, comprises the Etchmiadzin Cathedral, Saint Hripsime Church, Saint Gayane Church, Saint Shoghakat Church, a refectory, the Catholicos' residence, a school, guesthouse, a stone-lined pond, and other structures. Two ancient intricately carved khachkars from the 13th and 17th centuries also stand on the grounds. Originally built in 303 AD by Saint Gregory the Illuminator, the Etchmiadzin Cathedral was rebuilt in stone during the 5th and 7th centuries. A bell tower was added in the 17th century, and a vestry in 1869. Inside are frescoes from the turn of the 18th century and a museum, established in 1955, showcasing medieval decorative arts. Saint Hripsime, Saint Gayane, and Saint Shoghakat Churches are said to honor early Christian martyrs. The magnificent Saint Hripsime Church was erected in 618. Saint Gayane Church, built in 630, had a three-arched annex added in 1683. Saint Shoghakat Church, built in 1694, replaced a 4th-century chapel.
Baghramyan Avenue. Baghramyan Avenue, 1954
The strategic importance assigned to the construction of this avenue in 1937 was significant.
The strategic importance assigned to the construction of this avenue in 1937 was significant.
Sports and concert complex. Sports complex, 1985
Currently, the Karen Demirchyan Sports and Concerts Complex.
Currently, the Karen Demirchyan Sports and Concerts Complex.